The Maids by Jean Genet

4.58 (31)

The Maids by Jean Genet

13 performances between Nov. 9, 2015 and Nov. 28, 2015
Drama
Presented by Wessel Pretorius • Directed by Philip Rademeyer • Performed by Wessel Pretorius, David Viviers & Melissa Haiden • Design by Philip Rademeyer & Stefan Benade • Lighting Design and Stage managed by Stefan Benade •
75mins
Pretorius.jpg Pretorius & Viviers.jpg square image.jpg Haiden 2.jpg Haiden.jpg
“Do you remember? Under the tree, just the two of us? Our feet in the sun? Solange?”

Jean Genet’s classic text is brought to life in this intimate, seductive, contemporary staging. Two sisters and maids, two lowly outcasts (Pretorius and Viviers), perform a daily sacred ceremony in which they turn the tables on their Madame (Haiden) in an attempt to become human again. They are the monstrous soul of servantdom, she the seemingly unattainable everything. A sudden change of events forces them to take their ceremony further than they ever have before…


Philip Rademeyer is a writer and director, and co-founder of the award-winning theatre collective, Rust Co-Operative. He has written, co-written and directed six productions for Rust Co-Operative, including The View (Oscar Wilde Award for Best New Writing and Doric Wilson Intercultural Dialogue Award at the International Dublin Gay Theatre Festival 2013,  nominated for the Rosalie van der Gucht Prize for New Directors 2013, nominated for Best Production at Aardklop 2013, published through Junkets Publishers); Siembamba (Standard Bank Silver Ovation Award at 2014 NAF, selected for 2014 Amsterdam Fringe Festival); and Ashes (Standard Bank Ovation Award at 2015 NAF). He has also directed In the Wings (Standard Bank Ovation Award at 2015 NAF, produced by Chaeli Campaign). He holds a Masters in Theatre & Performance (Directing) from the University of Cape Town, where he lectures part-time.


Wessel Pretorius was born in 1986 and grew up in Nelspruit. He obtained his B.A. Drama degree at The University of Pretoria and his Honours in Acting at The University of Stellenbosch.  In 2010, he represented the Stellenbosch Drama Department in Den Haag doing a six week workshop with De Appel.  He made his professional debut later that year at Aardklop with Korte Mette Met die Versamelde Werke Van William Shakespeare directed by Hugo Theart for TEATERteater. Other highlights include Yasmina Reza’s Art (directed by Marthinus Basson) Christiaan Olwagen’s ‘Politik Trilogie’: Woza Andries?, Vagina Dentata and Ubu and the Secrecy Bill, P.G. du Plessis’ ‘n Seder val in Waterkloof (directed by Albert Maritz), N is vir Neurose (Olwagen), his self-penned solo show Ont-, Boetie Dis Tyd Vir Bid As ‘n Seekoeikoei Op Jou Skoot Kom Sit for the Klein Libertas Teater directed by Juanita Swanepoel, David Greig’s Die Monster In Die Gang (translated and directed by Hennie van Greunen), Saartjie Botha’s Balbesit (directed by Jaco Bouwer) and Albee’s Wie’s Bang Vir Virginia Woolf?(directed by Christiaan Olwagen).  In 2013 Van Greunen translated Ont- as Undone for the Edinburgh Festival Fringe and in 2014, it played the National Arts Festival in Grahamstown where it won the Standard Bank Ovation Award: Gold. He also appeared in Shakespeare’s Richard III (directed by Lara Bye) at the Maynardville Open Air Theatre, Boesman, My Seun (written and directed by Deon Opperman), Waterpas which he also wrote (directed by Christiaan Olwagen) and Tom Lanoye’s Bloed en Rose. He’s also wrote Slaaf (2014), Al Julle Volke and Sandton City Grootdoop (2015) – which all premiered at the ABSA KKNK. In 2015 he apeared in Philip Rademeyer’s Adam Twee at the Woordfees in Stellenbosch.  He currently resides in Cape Town where he continues to invest in local theatre as actor, writer and theatermaker.

David Viviers
David is a film and theater actor. In 2014 he graduated from UCT with distinction in Theatre and Performance (UCT), where he also received the Ruth Peffers prize for Most Promising Student. At the beginning of 2015, he was nominated for a Fleur du Cap theatre award for Most Promising Student. This year, he has performed alongside Nicholas Ellenbogen in the National Arts Festival cult classic Raiders and in Cry Havoc, directed by Roy Sargeant. In his final year at UCT he appeared in Mephisto, A Lie of the Mind,12th Night at the Macbeths and Die Buffel - all directed by Christopher Weare.

Melissa Haiden
In January 2015 Melissa Haiden played Desdemona in Fred Abrahamse's Othello at Maynardville. Following that she played W in Cock at the Alexander Bar and 3 women in John at the Artscape Arena. She plays a very excitable Irish nurse in Netflix's Jadotville and a savage pilgrim called Elinor Billington in Sony and Nat Geo's 'Saints and Strangers' to be released in November 2015.

Audience Responses

David and Wessel were spectacular in this dark, disturbing production. Some of the moments - exquisitely blocked to give us intimate and surprising angles with mirrors - were so fiercely intimate I felt viscerally uncomfortable about my presence intruding. This is a powerful, subversive and very timely staging. It felt like a body blow.

Carla • Attended Nov. 10, 2015, 9 p.m.
5.0

Outstanding!

Manie • Attended Nov. 19, 2015, 9 p.m.
5.0

Astonishing! Huge respect to those actors. Artistry at its best!! Massive congrats to all.

Matt • Attended Nov. 25, 2015, 9 p.m.
5.0

Thought it a very good production - by its very nature The Maids is a play that it is very difficult not to play in a very overwrought state. But the actors managed to pitch it just right.

Charles • Attended Nov. 25, 2015, 9 p.m.

Tough to watch and great to watch. I really loved it. Thank you so much!

Daneel • Attended Nov. 27, 2015, 9 p.m.
5.0

Enthralling from start to finish. Original and exciting performances from this trio. The danger, desperation and sexiness was palpable.

Chiminae • Attended Nov. 28, 2015, 9 p.m.
5.0

Outstanding!

Manie • Attended Nov. 19, 2015, 9 p.m.
5.0

Glad I finally saw this famous play, a great mixture of unsettling unreality and absurd humour. The actors threw themselves into it with great physicality...

David • Attended Nov. 21, 2015, 9 p.m.
4.0

Two superb performances from two hugely gifted actors brought this dark, fascinating, thrilling piece of theatre to life. Voyeuristic and magnetic. Was taken aback by the bravery of the two leading performances which wouldn't have been possible without direction from a real storyteller. Terrific

Tober • Attended Nov. 28, 2015, 9 p.m.
5.0

Outstanding!

Manie • Attended Nov. 19, 2015, 9 p.m.
5.0

Exquisitely detailed work. Inventive and weighty.

bo • Attended Nov. 26, 2015, 9 p.m.
4.0

An incredibly tough play to pull off, and yet they did. Splendidly.

Keith • Attended Nov. 17, 2015, 9 p.m.
5.0

Brilliant

Astrid • Attended Nov. 26, 2015, 9 p.m.
5.0

Although it was a dark peace I liked it. The two main characters portrayed their characters brilliantly!

Louis • Attended Nov. 28, 2015, 9 p.m.
4.0

Yellow rubber kitchen gloves will never be the same again for me, after watching The Maids. I staggered out of there. It’s a very intimate staging – raw, physical, sexually charged all the way. Very different interpretation to what I’ve seen before with opulent gowns, velvet curtains. All that is stripped bare in this production. I loved the fact that it has been de-South Africanised and that there is no clichéd pandering to a maids and madams construct in this country – at least not for me. This could be taking place anywhere. The maids are outcasts – the lower end of society consigned to their stinky garret. The Madame is privileged, hoity toity but all up, they are a nasty bunch as they attempt to dominate each other; taunt and hurl abuse and loathing. Amazing to consider that this play premiered in 1947. It is so contemporary as it spits and slaps into sexual politics, gender, identity, class – the whole shebang. Superb performances and wow direction.

Robyn • Attended Nov. 9, 2015, 9 p.m.
5.0

I think it was well directed and acting was lovely but it went a bit over my head...the text was complex...also very late time to have such an intellectual piece for that length

Nieke • Attended Nov. 28, 2015, 9 p.m.
3.0

Charged, gut-wrenching, funny and sexy. Thank you!

Kirby • Attended Nov. 20, 2015, 9 p.m.
5.0

Glad I finally saw this famous play, a great mixture of unsettling unreality and absurd humour. The actors threw themselves into it with great physicality...

David • Attended Nov. 21, 2015, 9 p.m.
4.0

Outstanding!

Manie • Attended Nov. 19, 2015, 9 p.m.
5.0

I loved David Viviers' performance as Claire. He is doing beautiful work.

Nigel • Attended Nov. 9, 2015, 9 p.m.

An email to Philip Rademeyer Dear Philip, I’m not sure why people still do Genet, but you did a great job with it! Both the performances of Wessel and David were out of the top drawer; I thoroughly enjoyed watching them. I thought the eroticism between them could have been even more explicit that you made it. But your decision to be subtle and restrained was probably the best decision. You should have a good run with this.

Robin • Attended Nov. 20, 2015, 9 p.m.
4.0

Brilliant acting. Not an easily accessible play, but stimulated great conversation afterwards aided by a glass of good red wine!

Ronald • Attended Nov. 21, 2015, 9 p.m.
4.0

Awesome everything.