The Sin Eaters
Ian Gareth Hadfield, who has worked around the country in the Model and Entertainment Industries since 1989. Ian trained as an actor, dancer and writer and has appeared in TV, Film and Theatre in productions such as ‘Macbeth’, ‘My Fair Lady’, ‘Oliver!’, ‘The Little Prince’ and many more. Ian has written and directed several of his own works, including the one-man-show ‘Without You, I’m Everything’, ‘Betta Resplendes’, and ‘Gluttony’ a theatre intervention at Bean Bag Bohemia. Most recently, Ian has directed ‘for coloured girls/ who have considered suicide/ wen the rainbow is enuf…’ by Ntozake Shange at the Bat Centre in Durban. He has also worked as a Booker for some of the top agencies in South Africa, including Boss Models, GAPA Model Agency, Tribe Model Management and Blue Star Management. Ian has produced over 300 Fashion Shows, Product Launches and Activations for clients as diverse as DSTV, Ladine, the Pietermaritzburg School of Fashion, Lindiwe Khuzwayo, Ed Hardy, Schwarzkopf, Durban Institute of Technology and many more. Ian has also trained thousands of students in South Africa and the UK in skills such as Modelling and Grooming; Acting Technique; and Grooming and Self-Confidence. Ian is also a constant student himself having studied subjects as diverse as Literary Theory, Western Philosophy, Life Coaching and Sports Conditioning. In his spare time, Ian watches Murder Mysteries and Prank Shows on Youtube.
Ian has two of his own works due for production in 2016: ‘The Sin Eaters’ featuring Adolph de Beer and ‘Fraud’
Audience Responses
Intense, revealing and beautifully performed by Adolph de Beer.
Excellent production with a very powerful performance by Adolph De Beer.
Odd little preamble from the author on the value of theatre - to an audience of devoted theatre-goers! In the 1960s there were a number of plays where 4 or 5 actors onstage delivered related monologues. This piece would have been better treated that way. This isn't really a monologue at all: if anything, it's a quintuple or sextuple monologue. I couldn't keep up with who was imprecating whom for what. I thought the actor came out of it slightly better than the writer. Better to have focused on one character; this became too diffuse. Sweaty business, though. I kept wondering in which part of his anatomy a pool of sweat would form next - chest, stomach, crotch ... back of his knees, maybe?